There is a specific archetype of the millennial poet, a figure of earnest conviction we recognize instantly. She is armed with a liberal arts degree, student debt, and the belief that her interior life is a subject of profound importance. She was taught in workshops that her voice matters, and she took it to heart.

The first time I heard the name Andrew, it came through a kitchen radio with the hiss turned up. I stood barefoot on cool tile, watching my aunt wrap plates in dish towels, as if glass could be persuaded by softness. Outside, Miami sat under a hard blue sky, bright enough to feel false. On television, men traced the storm with their fingers and promised it would turn. My aunt watched the map, then shut the sound off and kept wrapping. She trusted weather more than voices. “You still got that volunteer badge?” she asked.

After illness forced my father, Frank, into early retirement, our kidney-shaped pool became his occupation, hobby, religion and full-time source of financial ruin. He skimmed it. Shocked it. Tested it. Discussed chlorine like a man briefing NASA. When the pump broke, a large “Super Pump” arrived. My mother stared at it, saying, “Well, I didn’t know they made those that big.” I almost died laughing. Dad tried hard to look offended, but a mustachioed grin gave him away. When Mom told him to pose with the pump, he did. He never liked being the joke, but he liked being ours.

The news came on a Tuesday: U.S. Space Command was moving to Huntsville. The headlines said Redstone Arsenal wins the bid, but that word "wins" sat strange in my mouth. In the breakroom, someone printed the article and pinned it to the bulletin board above the coffee pot. The photo showed the gates of Redstone shining in the morning sun, a soldier standing guard beside the sign.

I return to the tracks when the heat breaks. The pines breathe the same sweet tar scent they carried when I was a child, the scent that hung over every mill town in Levy County when cedar mills and turpentine stills smoked through winter. Vines twist across the rails now. Brush crowds the right of way.  Even so, the steel remains straight and stubborn, a line the land has not managed to take back. When I lay my hand on it, the metal holds the night’s last breath.

All Ruth saw was more attention. And when the wrong kind of attention showed up, people like her paid for it. The June heat shimmered off the sidewalks, rising in waves that blurred the edges of palm trunks and lampposts. Humidity pressed against Ruth’s skin as she stepped out of the motel’s back corridor, the scent of salt from Matanzas Bay mingling with the sweetness of blooming jasmine. Her uniform clung to her back, damp before she’d even begun her rounds.

My daughter Frankie doesn’t say my name. She knows it. I’ve heard her whisper it at night, curled up in her toddler bed, when the house is quiet and the shadows stretch across the floor. “Mommy,” she breathes, and for a second I believe I’ve dreamed it. At night, behind her door, she practices. Soft words slip out like secrets, as if she’s testing them before anyone can hear. Pressure shuts her down. But in the dark, when no one is watching, her voice feels safe. In the daylight, I try. I kneel. I call to her. She turns to me, eyes bright, smile full, but I can tell she doesn’t understand what I’m saying. She opens her mouth like she’s going to answer, but instead I hear bits of “Old McDonald” or sounds that don’t quite form words.

The first thing you learn growing up near the glades is that stillness is a kind of power. Not quiet. Not hiding. Just the stillness of an alligator, belly pressed into the mud, eyes watching without ever blinking. They don’t have to flinch. They know they own the land.

It started with a palm frond. One of those thick, green giants that fan out over Florida yards like they own the place. My Uncle Bob ripped one clean off the tree, held it high over his head, and marched barefoot around the pool. Jimmy Buffett’s “Volcano” blared from the lanai speakers, steel drums skipping over sun-soaked chaos. Kids doing cannonballs, adults sloshing bourbon in plastic cups, and bathing suits doubling as dinner clothes. He said nothing. Just grinned and kept moving. We followed. Every one of us. Cousins dripping pool water, aunts in cover-ups, and the dogs trotting at our heels, nails clicking on the pavement as if they were tap dancing. The conga line snaked through the screen door, into the kitchen, and around the card table stacked with paper plates and Publix potato salad. No one asked why.

The storm reached Jacksonville long after the newscasters said it would. All afternoon the sky over the Westside stayed bright and blue, the kind of blue that fooled people into thinking weather would skip the city the way visitors skipped the industrial stretch along the river. Cars crowded the Winn Dixie parking lot on Cassat Avenue even though rain had not fallen yet. Mothers hurried through the sliding doors with coupons in hand. Kids held on to the sides of carts,...

It’s 1:17 a.m., and I’m sitting on the floor of my kitchen drinking Dr Pepper Blackberry out of the can like it’s medicine for a heartbreak I haven’t earned yet. I haven’t cried today, but I can feel it coming, crouched behind my molars. This beverage might be the gateway. The label promises “Delightfully Dark. Subtly Sweet,” which, coincidentally, is also how I described myself during a short-lived phase in college when I tried to brand myself as “the mysterious girl who reads Bukowski and wear...

The one-hour photo smelled of vinegar and metal, the scent clinging to the back of my throat like it might stay there forever. My hands sweated inside the sleeves of my windbreaker as I slid the yellow Kodak envelope across the counter. The clerk, a man with nicotine-stained fingers, tore the seal with his teeth, holding the flap open like it was a wound. He flipped through the stack without looking at me, his mouth tight. “Most of these didn’t turn out,” he said.

The lake rose without lifting its voice.Morning still arrived with birdsong,with coffee cooling on stoves,with children sent out to fetch waterfrom water already deciding otherwise. The dike helduntil it didn’t.That is how structures fail,how faith does too. A wind came sideways,dragging sugarcane flat as scripture.Houses unbuttoned themselves.Tin roofs learned how to flyand did not come back. People ran toward higher groundcarrying what fit in arms:a clock that would not be wound again,a Bible...

When I told her the baby had come early, she didn’t react. She looked at my face, then at the phone, then at the couch cushion beside her. Language hadn’t caught up to her understanding. When I came home without the baby, she continued her day as if nothing had changed. She reached for her cup. She lined up two toy animals on the rug. She hummed to herself in the living room. That simple absence of recognition lodged inside me.

On page one, a scratch of coastline where the ocean rehearses its apologies. On page two, the swamp’s green choir, all throat, all patience, all hunger held behind the lily pads. On page three, a man selling boiled peanuts from a cooler with a cracked latch. He smiles at you as if he knows what you buried under the seat.

Before I can write, I have to light a candle. Not a special candle. Not one blessed by a nineteenth-century poet or poured by a woman in Hudson, New York, who calls herself a scent alchemist. I don’t need soy. I don’t need beeswax. I don’t need a wooden wick that crackles like a tasteful fireplace in a Nancy Meyers movie. It just has to smell good.